Poetry by Cassandra Parker

winter.jpg

Salamander Tricks

Love like life
slams doors in your face.
Sunshine fakes the warm smile
that you bet his life on,
as flowers assault the Earth.

Leaves change hues,
salamander tricks
for another year,
but I can’t stop them
from sticking to my shoes.

What is the point of Winter
if not to remind us that ice is thick,
like your skin after dinner with my parents.

It’s not about rings,
but awakening seedlings,
ensnaring the senses
and other things.

Landfill

Clean for a few weeks,
               dirty for months afterward—
When will I learn that you are not for keeps
                                                                           and force my head to turn forward?

At least we’re Eco-friendly,
constantly reusing until there’s nothing left at all...
               Maybe the environment is happy,
               but I am all Winter— no more Spring, Summer, or Fall.

Whoever wager a future on this—
               think again—
it’s not a long term solution.
Her needs are a landfill compared to his,
                                                                           but now her heart is sick of self pollution.

IMG_0285Cassandra Parker recently graduated from George Mason University with a bachelor’s degree in Creative Writing, and decided a nine-to-five day job just isn’t her style anymore. She is pursuing freelance writing contracts and other literary endeavors in the D.C. area while penning her own novel.

In homage to her favorite author, Ernest Hemingway, Parker’s style is driven by the idea of using real life experiences as content for every project, even fiction; she writes what she “knows about truly and cares for the most.” Her loyal tortoiseshell calico, Kat von Kitty, can often be found sitting on Parker’s desk as she works. Her favorite things include competitive sports, song lyrics, back roads, stamped passports, the smell of weathered books, and sea views.

Follow Cassandra on her website.

Announcing…Themes!

We get a lot of requests for more specific submission tips: what exactly are you looking for? Do you have a particular topic in mind? Where can I even begin?
And while we’re not quite ready to give up free-form submissions altogether (so keep ’em coming, folks!), we did decide to give ourselves a bit of a chapter heading. So, starting this June, we’re going to curate submissions around a quarterly theme—which we’ll be announcing right here!
And what’s our first theme?
fairytale

Here at Ampersand, we’re all about bringing people together, and nothing connects us more than the stories we all share.

The words “once upon a time” echo through you with reminders of childhood, lost dreams, and a space outside of time. Give us the unlikely, the ideal, the twisted, the light-hearted and brave. Give us that feeling that things aren’t always what they seem on the surface. Give us your true loves and your broken hearts.

Give us your fairy tales.

(And feel free to interpret that loosely.)

The End

By Tara Naveaux

The clock has chimed
The vulture has come to claim
Ripping at my last pitifully precious moments

The body aches
Grinding gears until ultimately giving up
The mind wanders
Passing white washed walls of the ever forgotten soul

Did I enjoy life? Am I fulfilled?
Smiles and support from forgotten family
Things in the darkness,
Whispering, waiting, watching.
Now I face the ultimate blackness of death.

Youth decays, dissolves, disintegrates.
My last thoughts?
Not family, not love, not life.
Merely, Deletion will be surprisingly charming.


unnamedTara Naveaux was born and raised in St. Petersburg, Florida. She is currently an English Literature and Creative Writing student at USFSP, and will be graduating with her BA in May, 2016. She enjoys reading and writing horror and sci fi, going on hikes throughout Florida, and playing with her two wonderful cats. This is her first time being published.

Legend of the Button Up

By Alexander DeLancey

I burst into the room, blue and white checkered shirt readied for action. She’s standing at the far end of the room, leaning against a table. She probably didn’t notice it, but the entire room looked gray. She controlled all of the color. Her dress was simple, white, floral. Sheer on the sleeves and across her collar bones. I felt small. She had deep, dark hair that fell onto her shoulders in black waves. I started towards her, only one goal in mind. One plan to execute. A single, sad hope. Her eyes, heart-stopping eyes, guided me towards her. I’m positive that I was no longer in control of my own legs. The smile she flashed was powerful. My stomach reenacted a Olympic gymnastics routine. I approached. She “Hello”ed. A football coach-esque speech played in my mind. This is what separates the boys from men. I leaned in, and kissed her cheek. Success.


UntitledAlexander is a college student currently pursuing a MFA. He works, studies, and writes near Pittsburgh, PA.

Follow him on Tumblr: alexanderdelancey.tumblr.com

 

First Sanctum

By Alexander DeLancey

In this small river town, where the county borders are thick walls of dense forest, my childhood home rests itself on the top of a hill. This little house was covered on three sides by the woods, the dull gray paint of the front could be seen by the street. These surrounding woods have been the scene of many of my epic adventures in my youth, starting my exploration as early as ten years old.

When I was rounding about fourteen, my best friend and I delved deeper into the thick than we were used to, both too determined to be brave one to point out that we should turn back. After what felt like a lifetime of hiking and existential conversation about fourteen year old life, we came out onto a gorgeous, unrealistic scene. Brushed out before us was a calm, little inlet, where the river quietly creeps up and down a miniature beach. To top off the perfection of this hidden paradise, an ancient oak tree chose his final resting place right at the start of the embankment. From this point on, it was known to us as sacred ground, only to be referred to as “the cove.”

This holy locale served as our sanctuary for the years to come. It served as the perfect place for our group to hang out, allowing me to play host and pretend like we threw extravagant parties. This gorgeous haven was home to many firsts in my life. It played as backdrop to my first dance with a girl, swaying to some bad, romantic eighties music. Probably Billy Joel.

My first kiss was awkwardly attempted here. I remember it in full detail, because after I kissed her, I apologized. We laughed about it for years, even after we broke up. It would be wrong to leave out that it was probably the worst kiss anyone could have received, I can recall having no idea what I was doing. I was so tense.

The first time I tried to run away from home, I packed up all of the “essential” things that a sixteen-year-old would deem essential. I hid the bag in my closet until the moon got big in the sky, then collected it and my sleeping bag and ran off to the Cove. All I can recall is that I cursed about my frustrations the whole way down. I know that I was terrified of the sounds that I assumed were all scary animals waiting to attack me in my sleep. So I did as any kid would, and hiked my defeated spirit back to my room and passed out in my bed. My parents still don’t know.

Any time I venture back home to visit my parents, I stroll right down to the Cove, sit on the oak, and just soak in the nostalgia. I trace my fingers across all of the lover’s carvings, the many initials of couples that have long since dissolved. I think of all the promises made on this tree, and how many of them were broken.


UntitledAlexander is a college student currently pursuing a MFA. He works, studies, and writes near Pittsburgh, PA.

Follow him on Tumblr: alexanderdelancey.tumblr.com

Foreign Tongues

By Chloe Vicino

His parents were angry. That was all he knew for certain. On tip-toes, Luis crept to the corner of the hallway, the television remote still in one hand while the other braced him against the wall. His neck craned around the edge and he tried to make out any words amid the elevated voices that came from his parent’s room at the end of the hall. But the Spanish floated in and out of his ears.

His lip stuck out in a pout and he stepped away from the wall suddenly eager to put as much distance between himself and his parent’s room as possible.

When at last his father emerged, quiet now, Luis was in the living room, sitting up against the far wall.

“Daddy?” He said, uncertainly, and when his father came up close, allowed himself to be hauled into his father’s arms, despite recently declaring himself too big to do so.

“Chiquilín,” his father said, and there was a strange look in his eyes that Luis couldn’t identify. “I love you, hijito. Te amo.”

“I love you too, Daddy” Luis said back, and offered a smile.

His father kissed him on the cheek, hard, and Luis wrapped his arms around his neck, enjoying the familiar feel of it under his hands. “No te preocupes, Luisito, que ya va estar bien. Ya regreso. Solo me voy por un ratito.” The Spanish that spilled from his father’s lips and brushed by Luis’s ear, slower this time, was still in that familiar, meaningless jabber. Comprehension escaped him, so he waited for someone or something to translate the words for him.

His mother appeared at the door. She was still angry, the arms crossed, tight lips kind that is quiet and scary, Luis decided, and hugged his father harder. Luis was almost certain the anger wasn’t for himself. His father kissed him once more, and squeezed him quickly before lowering him to the floor. Squatting at eye level, “Voy a regresar.” Luis stared back at him blankly. Then, “No worry, my boy,” he said in the funny way his father used whenever he spoke English. “No worry.”

Then he stood and looked at Luis’s mother.

“Ya volvere.”

“Veremos.”

His father headed towards the front door and his mother headed toward Luis, her eyes never leaving the retreating figure.

“Daddy? Where are you going?” Luis ventured to ask as his father made to grip the handle. His father turned around and his mother reached down to grab Luis’ hand in hers.

“No te preocupes, hijo. I love you, my son. Vendre a verte luego.”

When the door shut behind his father, Luis had his brows crossed in frustration. His mother released his hand. His father’s words swam without meaning around in Luis’ head, and he tried to force them to explain. His mother dropped down and faced him towards her, and the tight lipped anger was gone. Now, she was sad. After searching his face, with her eyes and with her hand as she traced his cheek with her fingers, she pulled him into her arms and held him tightly, tighter even than his father had. He hugged her back, not knowing what else to do.

“Va estar bien, mi Luisito. Va estar bien. No llores, que todo va salir bien.” She had forgotten that he couldn’t speak Spanish, he decided quickly, frantically. They both forgot. He wanted to cry in frustration, but instead, he repeated his father’s words to him from earlier, one of the only phrases he knew how to speak for himself.

“Te amo, Mommy,” he said, loudly, with a voice that had begun to quiver. “Te amo te amo TE AMO.” She hugged him tighter and when his tears came to stain her shoulder with a big wet splotch, he was wishing desperately that there was something else he could say.


Chloe Vicino lives in Tempe, Arizona, and studied at Arizona State University where she received a degree in English (Creative Writing). She recently spent over a year serving as a missionary in New York City, where she found numerous opportunities to feed her love of listening to people’s life stories, as well as her love of serving her community in every way she knows how. Her stories, though varied in theme and even in genre, are intended to bring the dark places to light, and hopefully, to incite a change to help wounds to heal, and others from being inflicted.

Waiting for the Smoke to Clear

By Julianna Hurtado

My hand cradles Gene’s bottle of Fahrenheit, running low. I should stop using it to cover up the pot stench. It’s just what we always did, when he was there to curl up into me like a tabby cat, and ask that I brush my fingertips along the slopes and jetties of his back. So I kept using it, even after he died. I could buy more. It just doesn’t feel right. Not now.

The swing Gene built for the boys is taut from my weight. More creaks sent into daybreak and I think I hear something, someone taking notice. But of course there is no one. Our suburb has yet to wake. Right now it’s just the stoned widow, the cats stalking their owners homes, and children twitching from dreams. I take one last hit and flick the roach onto the grass, parched and awaiting dew. The swing—mine since the boys outgrew it—is the first thing Gene built when I got pregnant. No cradle, high chair, or rocking horse. A swing, with just one slab of mahogany for its seat. And when week-old Seth entered his fifth fussy night after coming home, Gene took that baby right out of my arms, high-tailed it for the swing, and planted his sleep-deprived ass. Not ten minutes later I looked out to see Seth’s eyelids pulled shut, his little body resting on Gene’s chest. The two of them, back and forth like a wind chime, nudged gently by the breeze.

I shimmy backwards and knead my toes into the brittle ground. The sky at dawn is the color of a loosely closed eyelid. Rose and peach stroke the sky, which any minute now, will let in the light. I press down on the nozzle. A pathetic spew of Gene’s cologne drizzles the space in front of me. I pick up my legs, letting go of my grip on the ground, and swing forward into eau de Gene. This is what I’ve come to. This is what happens when people, who made their scent painfully familiar, decide to off themselves.

Gabe found him. I changed shoes three times that afternoon. Spent half an hour parting my hair in the middle, near the middle, and to the side. Giving stern, sexy looks in the mirror. So when it was time to go, Gabe was the only one ready. He took it upon himself to grab the umbrella. So my youngest was the one who first saw his father, dead, crumpled in the closet with a leather belt fastened around his neck. Down the hall, wandering towards me, Gabe’s legs shook. He was a foal. Every step uncertain.

He was fourteen, at the time.

The smell was so wrong, an intruder to our nest, and unable to crawl its way out. I tried to keep from breathing it in. Only shallow inhales, that way, the memory of it wouldn’t stick. That’s what I was thinking as I walked through our room, the room where all four of us huddled through a tornado touching down in a neighboring town. The room where Gene spent nights crying for his father and I could do nothing but move the hair out of his eyes. My heart felt like it was trying to beat something out of me. I turned towards our closet. And at the sight of him, I fell to the floor. There he was, collapsed along the bed rock of our shoes, the heel of a black pump armed against his forehead. A thick red tributary ran down from his right temple, turning his shadowy face into a map of inlets. I looked into his eyes, opened, and strained from putting up a fight. I put a hand on his heart. Nothing to be felt, or heard. Just the sound of rain tapping our bedroom window, the trick of light in between. I felt the crawl of my blood and my mouth became desert dry. Gabe came in to the room, stood behind me, and said blankly “he didnt tie it tight enough, I think your heel got him on the way down. Gene continued to look at me, a posthumous continence of scorn. The bile—somewhat overdue—swam in reverse, my throat clenching just in time to run over to the window and inch it open. Once my head was out, I spilled my guts onto the waning shrubs. And then I cried. That was a year ago. Gabe hasn’t spoken since. In just a few hours he will wake up and immediately know what day it is. No one will have a choice.

* * *

“Hey, help me find my purse please?”

He rolls his eyes, jogs over to the kitchen. We’re late. I dust some color called “peony petal” onto my cheeks and watch him from my periphery. He knocks on the wall and holds up the bread so that I can see the archipelago of sour spots blooming along the crust.

“Oh god, throw that away.” He lifts up my purse with the other hand, walks over, and sets it down at my feet.

“Thank you, I’m almost done, wait by the car?”

Seth gets onto me for my clothes. At his graduation: “You were just mistaken for my girlfriend.” A whisper in my ear during his grandfather’s funeral service: “The minister hasn’t taken his eyes off you. He just said breast instead of lest. I spill over my role as mother/wife because I don’t always wear a bra, shave my pits, or force my jeans to sit precisely on my waist. And, until he died, Gene and I would run through the house like children. Make out in the backyard like two teenagers who planned it. Sneak away during Seth’s football games, stand beneath the bleachers, and touch each other while popcorn, peanuts, and bits of trash were being dropped from above.

I don’t know how to please Seth. I tug at my blouse. Despite all of it, the whole fucking brunt of it, I have more growing up to do. And we all know it.

I chose the brown skirt I wore to Seth’s graduation, and even though it holds me together like a mermaid’s fin, it falls below the knee. But I can hear him now: “Geez mom, who are you trying to fool?

I take a last look in the mirror and for a second I recognize her, the person I thought I was going to be for awhile longer. I stretch my back, give a slinky gesture to myself. She’s happy, that one. And boy, can she move.

Gabe stands by the car, reading It, his second Stephen King this month. The wind picks up. My auburn hair quivers like flames around my face before adhering to sticky lips, fresh from Carmex. As I fumble for the right key, I feel his eyes peek up from the scare tactics of Pennywise and watch another episode of my tripping grace. That grin again! I look back at him, grateful that I still manage to make him smile.

At first, none of us noticed he wasn’t talking. We weren’t doing much of it ourselves. When Gene died the world became more of a machine. Something ready-built, easy to figure out. We, as the family simply had to move through it. We gave up the money needed to bury him beside his father. We donated our house for an afternoon to be filled with the people we’ve become intertwined with. The ones also pretty messed up by it. The ones who brought food.

It was mostly reacting, nodding, getting through the lines of black ties and traffic. His teachers were the first to raise a question. Over phone calls they would trip over their words and mutter fading apologies.

But the not talking thing, its really hard for us to get on.

I bet it is, I would say, and just wait while they reached for a reason to end the call.

The calls stopped coming when they realized Gabe wasn’t stupid, he wasn’t neglecting his work, and that he could get by without saying anything. Make no mistake, I miss the sound of his voice, the gentle, sanguine insecurity of it. I even dream it. But we all have our ways, and often, I envy his.

“Take it all in, jerk.”

I walk over, put my hands on his cheeks and bring him forehead to forehead. We stay here. A single shape. I ask if he’s ready, and together we nod.

The drive to Huntsville State Penitentiary is three hours long, with one stop for lunch halfway in Corsicana. It is a perfect weather day, degrees suspended in a sweet 70, the sun giving us light but not making us sweat for it. Gabe slides into the passenger seat and immediately turns to the window. And there it is, Gene’s nose, Gene’s resting face, a look of tranquility and understated disappointment. That look would keep me guessing for the entirety of our marriage. What are you thinking? What’s wrong? How will I make it go away? Then I would kiss my husband because I could think of nothing better to do. I operated in a make believe world where kisses could actually absolve pain.

Muah. Better now?

Now I pace between two places, the need to do something, the inability to do anything, and a painful awareness of it. Seth, my first born, waits for us. I turn on the car. Somewhere a dog is barking. I breathe out and put the car in reverse.

They wanted to know if there were any signs. “Because we just cant believe he would have done this, not our Gene, so full of light. I was empty handed and expected to explain, to his mother and father, the history of sadness. Where do we begin? Gene endured everything. From watching women gather little herds of Mexican children into their tiny, economic homes, to cradling the empty Mockingbird nests our boys would find in the magnolia. It all came through, amplified. When they ask for signs, I have none. He never wavered in himself. It had to have been there all along.

A week before he died, Gene and I went through a small trauma together. A moment stamped into our lives that still, even now, is sensitive to touch. We were a little tipsy, but nothing too dangerous. We’ve been worse. Gene was at the wheel, and after I watched him miss the keyhole twice I had a look on my face. He caught it.

Sweetheart, you need to relax.

Your lips are purple, you have that sheepy look about you.

I love you too.

We pulled out of the driveway—fast—and up onto the curb. I gripped the bottom of my seat as the uneven alleyway bumped beneath. He grabbed my hand and kissed it, watching me as he did. Then, he took a quick turn to the right before shifting his eyes back onto the road. I caught the streak of yellow just before it disappeared beneath the Range Rover’s hood. Gene slammed on the brakes. Both of us silent, faces pale, listening for signs of life. Gene heard it whimper and that’s when we stepped out of the car.

The dog—a yellow lab—looked up at us not knowing what to do. He was such a creature. Gene knelt down beside him, took his heaving body into his own, and started stroking the bridge of his nose. I grabbed the tag, held the shallow etching up to the light, and read Samson. Samson’s eyes moved from us, to the empty street, and at his bloody paw. We watched his shame, nakedness, a childlike sense that something had gone invariably wrong. His tongue mechanically reached out from his mouth to lick my hand. That’s when I began to cry.

Gene, what can we do?

He raised his shoulders, he could only gaze up at me. The truth of it was he wanted me to tell him how to be a man. But there’s no way back from a point where life stops and accosts you. I was in no shape to rise to the occasion of handling life’s knotted strings. The intersection was clear, so we went. We hadn’t done anything wrong.

Two birds skipped upon the stagnant air, landing on the limbs tangled above us. Samson wiggled his body closer to us, looking for a mother. He was making a nest. We build homes up until the very end. We find a close source of light and plant ourselves for good. Samson stopped panting and allowed each breath to walk hand in hand. Slow, deliberate steps. Gene’s palm rested on Samson’s chest until he felt it had moved up and down for the last time. He coughed, we cried. I wrapped my arms around him and put my head up against his heart. His head shook back and forth.

Ellie, I wish so many things.

* * *

I-45 stretches out in front of us, the limb reaching across Texas, linking every major forgotten city. And Gabe hasn’t looked up from It. A marker reads that we’re ten miles north of Corsicana, almost time to stop for lunch. I look over. His bookmark, a newspaper clipping, hangs limp in between his thumb and forefinger. I watch as his eyes pick apart the ink on the page and wonder how easy it is for him to lose himself in it.

“We’re coming up to Corsicana, are you ready to eat?”

Gabe nods without looking up. I make a mental map of how to get to Jimmy’s Diner after the exit. The town of Corsicana is one giant square with Insurance companies, furniture stores, and post offices strewn on a grid around it. Midlevel sized trees are dispersed in between gas stations and Baptist churches. We pass a sign that says: “A righteous man has many troubles, but the Lord delivers him from all.

Gene didn’t mess with religion. Sure, he would cry over baby birds and their tiny quivering hearts, but during the one church service my mother forced him to attend, he ending up leaving halfway, face red and sighs audible to the congregation bowed in prayer around him. To the boys, he was constantly reminding them how small they were. How vast and unaffected the universe went on without them. Once, to Gabe, he said that if he was a galaxy, he would make sure they each had planets of their own. A wink to me from the living room, and surely I rolled my eyes. That’s just how it went.

Gabe cleared his throat, making himself known while I pulled the curtain back on my memory. It’s not fair to him, that I keep disappearing, that sometimes I would rather abandon the responsibility of moving on and instead live in our catacombs where there are endless reels of our lives, pockets of scent, bits of laugh. I squeeze Gabe’s leg.

Jimmy’s Diner stands on the northeast corner of the square and looks out onto the statue of Jose Navarro. Navarro sits on a granite throne, bronze glinting in the light. We sit outside, on the patio, beneath the ratty tails of a red awning. Our server, remembers us from a few weeks ago, and a few weeks before that. He pats Gabe on the back and says he’ll be right back with some water. At the table next to ours, a young couple takes turns bouncing their baby boy. The mother, a brunette with fake gold strands of hair reflecting light along her roots, wags a stuffed koala next to his face. The baby crinkles his forehead and turns a scarlet glow. They touch noses. The cry, it seems, will be heard for miles.

Seth was born in the scorn of July, the tenth day in a row where one could cook over-easy eggs on the sidewalks. People feared fire. Cigarettes could no longer be flicked away while burning, red hot at the tip. Sprinkler systems needed timers installed so that lawns wouldn’t exceed their fill. My water broke midday. The fire never came. And when Gene held Seth in the crook of his arm for the first time, I watched as it—the grudge of his being—shifted back and out of the way. Gene bent down and buried his nose into the soft mold of Seth’s forehead. He breathed him in, and said

Ellie, that smell. He breathed him in and just held him, right there.

Gabe taps me on the shoulder and gives me the look of disapproval. It says: “Mom, stop staring at the baby. I cross my eyes and bobble my head at him. My look says: “It just what us crazy mothers do. The server comes back to get our order. I speak for both of us. Gabe fiddles with the newspaper clipping he’s used as a bookmark. It’s frail and thinning from touch.

We all knew something was going on with Seth, and now, I think Gene went through it too. And may have still been going through it during his twenties, into our marriage, and even after. Seth always came home angry, and during his junior year of high school, he began to boil. On an October afternoon I sat on the back porch steps with a brown blanket wrapped around my shoulders, the blanket Gene used to occasionally mope around in like a character straight out of Peanuts. I watched as Gene walked Seth out to the middle of the yard. He put a hand on his shoulder, tilted his head towards our beautiful, blonde-headed boy, and waited. To this day I have no idea what they talked about. It may have started out like this.

Seth.

“…”

Seth, please.

What.

Let me in.

And after standing together in stillness Gene put both of his hands on Seth’s shoulders and stared at his son’s worn gait. I put my head in my hands. I wondered if any of us were going to make it. And he may have said,

Whats going on, but this time with more urgency, to make it clear that even though he doesn’t mean to, Seth was causing Gene to experience pain by keeping his windows shut. By not letting in the light. And to that, Seth may have told some story, given some reason for the feeling so difficult to carry or describe.

This stupid guy at school wouldnt leave this girl alone. Shes new, has a thick accent, middle eastern or something. And he just kept saying Wheres your hijab? Wheres your hijab? And the girl, I think her name is Sari, just kept trying to get away from him. Thenthen he put his hand on her hips. Just set it there. And they both looked at it, neither of them saying a word. And no one in the hall does anything. The teachers just kept looking at their watches and clicking their heels. And Sari, she just smiled. Because this asshole touched her, and even though he humiliated her, he still touched her. And everyone just kept doing what they do. And no one stopped and asked why, or if what theyre doing was right.

And Gene, without knowing how he ended up making something like Seth, may have said

Son.

Then Gene wiped at his eyes and laughter erupted from his broad chest. Seth laid his head on his father’s shoulder, because even though it—this pang of being—wasn’t due to go away any time soon, he finally saw he wasn’t alone.

Our food is gone. To keep from getting tired, we grab two sodas on the way out of Jimmy’s. Instead of returning to It, Gabe rests his head against the window. I set my hand on top of his and leave it there.

* * *

“Ma’am, you’re going to have to remove all bits of jewelry.” The guard extends a plastic bin towards me as I fumble with antique hairpins. The metal detectors at Huntsville State Pen catch everything. Embarrassed, I continue to unload, setting my turquoise earrings and their offensive backs into the bin. The men watch. They make me feel dangerous. Gabe empties his pockets and retrieves something from the floor, to make sure it isn’t mistaken for trash, and shuffles past the guards. I reach for my jewelry. A mistake. The guard issues his arm to stop me.

“You get these when you leave.”

I brush the hair behind my ears, give a self-conscious tug at my blouse. I compose. Gabe gives a vigorous nod, it says: come on mom, you know this, youve been through this before. I take slow strides towards my son, grab his hand, and ignore the feeling of being monitored as we exit the security station. I think Gene’s voice; it’s what I do when I’m anxious. I mindfully sit in his lap and kiss the spot of cheek beneath his eye and beside the nose. He looks at me and says

Im the luckiest of them all.

A buzzer signal us in. A woman, whose job is dispense sympathy to mothers and brothers like us, points to a table of cookies and brewed coffee.

“Help yourself, they’re getting him ready now.”

We find an empty table. At every sound of a door being opened, we dart our eyes over to the front of the room, we shift in our seats.

Seth has been in Hunstville State Pen for three months now. Three months ago, I came home to find him sitting on the couch with an almost empty liter of Evan Williams on the coffee table. His eyes were red shot. Thirsty capillaries which had burst and remained open. His head teetered upon its axis. I began to yell.

Seth, you cant fucking do this. You wont be this way. Do it for him.

Seth stood up—too fast—and fell down immediately. Frantically he crawled towards the wall that took 18 years to montage with pictures of our life. To get himself back up, he used the photos, pressing his palms onto sheets of glass nestled in their frames. Several of them came down from his weight. One by one, Seth’s graduation, Gabe’s first day home, our miserable camping trip, and my mother’s 75th landed with muffled thuds onto the carpet. No glass was broken in the process, just the small white squares of space becoming a multitude in place of what used to be there. I ran over to him, pried him off the wall, and tried to swaddle his moment of infancy. But Seth had been stronger than me for years. He broke away, and for the first time since Gene died, let out the rage.

My father? The one who killed himself, who couldnt love us enough to just stay the fuck alive?

Seth shook his head; threw the thought away. He grabbed the keys, formally Gene’s, and took off. It was only half an hour before I received the call that affirmed the feeling—that acrid mother’s intuition. The one I had the minute he slammed the door. Girl, age 13, lives in the neighborhood. Neither of them saw it coming. One would need extensive surgery, but would be okay. The other, after showing no signs of injury, was put in handcuffs on the scene. In the news, his story appeared after a pet adoption event, a family of ducks being rescued from a garbage pit. A slow news day after all, so during the prime time slot, they reported his BAC to be three times the limit. Flashed his mug shot. Greasy blonde hair fell in the way of his eyes, his face infinitely punctuated with stubble. The spitting image of Gene.

They walk him out from behind a thick metal door. He scans the room, seems anxious while the guard leads him by the forearm. I give an audible ‘Seth, and shoot my hand up in the air. My turn to be called on. He finds us. Then, his eyes shift from my eyes, down my skirt to my brown flip-flops, over to Gabe’s destroyed converse, and up to his Rangers baseball cap. This part, our essences, haven’t changed since he was put away. He smiles. We sit down and wait as he shuffles over. The chain connecting the two links around his ankles moves like a snake. The guard recites his line.

“You have one hour.”

Seth stands still, upright. I approach him like a basketball player on defense, arms open, shifting quickly from left to right. Seth leaks a smile from the right corner of his mouth and I take this as permission to bring him in, to hold him there. I sniff his hair, kiss his temples.

I say, “You smell so bad, I love you”, with his head pressed into the side of my face. Seth pulls away, and coughs out what I know to be his laugh. And how long had it been since he laughed? A day? A week? Since last time we came and giggled uncomfortably together? Gabe pats him on the shoulder, for everything he can’t say. Somehow it’s enough. Seth begins.

“Prison sucks.”

Gabe laughs, his head falling to rest on his hands. The newspaper clipping flits with the oscillating fan.

“It’s funny, I almost forgot what today was. I woke up knowing that it was important. I asked a guard for the date and he told me it didn’t matter, to get in line if I wanted to eat. So I ate, and waited, and sat quietly, and finally—finally I remembered. Smoke gone. I finally remembered today is the day dad killed himself.” He pauses. “Sorry, I didn’t mean to lead with that. It’s just, that’s what today is. I finally remembered.”

There is nothing for me to say, so I reinforce the silence. It should feel uncomfortable, but doesn’t. Because we all understand. Our prisons, though unregulated, regulate themselves. The house, my office, the hallways of Gabe’s school. We carry on as any self-preserving organism does, automatically, in order to not be swallowed by what we’ve been required to leave behind. Gabe clears his throat. He unfolds the clipping, presses out the creases with the palm of his hand. He points to the caption. Family Waiting for the Smoke to Clear. A still from the Iraq War. In it, two pair of ruddy feet—mother and son—standing inches apart as a cloud of smoke encroaches on both of their bodies. In the bend of the mother’s arm is the faint outline of a baby, its head peeking up over her shoulder, staring right in the direction of the photographer. Armed soldiers loom behind the smoke like watermarked ghosts. Seth and I move our eyes over the image. He uses the edge of his hand to move it closer to him and traces the heads, the guns, and the hem of the mother’s dress.

“Turn it over.”

Gabe turns it over. On the back, he has written What happens next??

Seth shakes his head, he looks to me for an answer. I have to tell them that it’s all going to be okay, even if I don’t believe it yet. Instead, we sit in silence, bewilderment seeping from us like tea leaves dunked in hot water. I put my hands on both of their heads and bring them in to me. We’re a triple spiral, the trinity upon a precipice. Around us, the impatient children tug at their parent’s sleeves and pant legs, begging to go home. It’ll be time to leave soon. But not just yet. For now, we stay.


Julianna Hurtado is a Texas transplant who now resides in New York City. She recently graduated from New York University where she studied the relationship between creativity, madness, and everything in between. Julianna is now pursuing an MFA in Fiction at Hunter College, where she belongs to a motorcycle gang of strange, incredible writers. In her free time, Julianna cooks indulgently, watercolors, and acts like a complete child.

The Boy and His Beast

A Non-fictive Fairy Tale by Zane Johnson

1

An aging boy of unhindered wit lives in the some-man’s-land where the desert and chaparral exchange the spoils of riverbed and shrubbery. When it rains, the boy wears old shoes and a duster the color of dill, and in sunlight, the size of his frame fills the coat with a sense of something sinister. His lover, still very much a girl, scrunches her nose and banishes the duster when the sky is clear. The wolf does not care.

2

Bobbing in a sea of yarn, the girl weaves. Ancestors of those living on the reservation a mile south once told histories on the loom – culture in cotton rivulets – and recorded great events, and they passed. Now, the girl tells epic tales of lines as they conquer other lines, marking the immortal milestones of plaid.

She sighs, stretches, and sinks, wondering if the women of tapestry weave in silence, or storytelling at the loom is as ancient a pastime. One woman of Greek myth peddled tales of self-grandeur, woven silks that could thrill the gods. She trailed this particular yarn to a goddess in disguise. Now, the only yarns she has to weave are of her own sticky spider silk. Probably worth it, the girl decides, with the running price of yarn.

3

A short wall behind the boy’s mother’s apartment complex, built to separate the wild from the civil, wilts at the first hint of storm. The once blue sky breaks into dingy cotton quilts and leaks, and after only a moment, water topples over the wall to replenish the some-man’s-land. The small Mexican Gray wolf sips from the new stream, and then takes the wall in a bound. He shelters himself in the duster and licks the remnants of puddles from his paws.

4

Strings trail about the room. The girl feigns consciousness as long, thin fingers pluck at the fabric, fixing spirals into cotton rays like a carpenter affixing shelves to studs. She straightens, loosening a burgeoning hunch. In this motion, she does not notice the pain, the shallow pin-prick in the small of her back, the slackening twitch at the edge of her eye. Unconsciously, she scratches her side, and presses the wisps trailing from her fingertips into the new yarn.

She glances toward her side table and remembers the wolf. It has been a short while, and she recalls its tiny paws padding against the pavement, its little snout, ruffled and roused by appetite. She remembers the yips as she first held the boy’s hand, how persistent they were, how daring. The girl smiles to herself, picturing the wolf pup, forgetting how quickly dogs grow.

5

By the time the boy takes notice, it has cleared a decent hollow in his back. The wolf’s snout rests in a wolf-bitten crevice. The boy rocks his hips from side to side, adjusting the creature. The boy straightens and starts toward work.

At the theater, the boy removes his coat and examines himself in the bathroom mirror. He looks no different with the protruding hind legs, so he hangs his jacket and begins. When he clocks in, the wolf withdraws and nips at the time sheet. The boy shoos him, and begins setting up concessions. The wolf withdraws and nips at the cash drawer. The boy shoos him, and finishes sweeping the floor. The wolf withdraws and nips at the popcorn. The boy shoos him, and closes up the theater. His stomach’s growl plays bass to the wolf’s howl and the refrain bellows all the way home.

6

The cold tiles lick the girl’s feet as she enters the kitchen, awakened by the thought of the wolf. She thinks of feeding the pup, the clicking of tiny paws on concrete as it retreats into the wilderness. She sends some words to the boy, a short message, a bit for the wolf to lick from her lips, not knowing it’s only a taste for such a creature.

There’s something like a nerve pain in the girl’s lower back. She looks around the house for someone to take a look. The house is empty. The pain is deep.

The girl feels something connecting herself and the boy – something inside her, and it always has been. She has known about this something for such a long time that she’s learned to use it, like scaffolding. She wishes the boy could do the same.

7

Over days, an ache grows as the wolf devours more of the boy. Paws and snout enter the boy’s abdominal cavity, trailing a furry belly withered by abstinence. The wolf hears the sucking insistence of the boy’s heart. The boy, wearied by the wolf’s pestering, gives, and the wolf enters the meat suit with pleasure and excitement. The wolf, unused to such long legs, staggers at first, but makes its way to the laptop in time. It takes a seat as it has taken the boy, narrowly missing the wagging tail. The wolf summons a site and solicits an accomplice.

8

The girl persists, reveling in the joy of the holiday season. Family surrounds her, and the ache fades. The girl misses the boy, but she speaks to him, and the pin-pricks in her abdomen fall dormant. She likes the boy, his sweetness and wit. She likes him, and she thinks she can make him happy.

9

Climax approaches, and the boy and wolf pant. The wolf steers the boy, now, throwing the boy’s hips harder into the accomplice, ignoring the money on the dresser, the cracks in the wallpaper. Both the wolf and the boy train their focus on the petite blonde, the wolf clenching the boy’s hands around her hips. On the drive home, the boy scolds himself. He hadn’t even cum, so it wasn’t even worth it.

10

Months pass, and winter becomes summer. The girl’s pain subsides, and she feeds the full-grown wolf. The two tend to the wolf as best they can, and without warning, they fall in love. The girl leaves for the summer months. The boy remains, bouncing between his father’s and mother’s, trying to cope without his girl, a means of escape, the sustenance for the wolf.

11

The boy’s back is nearly healed when the wolf returns. It sniffs the closed wound, searching for weakness. The boy feels the wolf’s teeth rake over the fragile skin, and a ribbon of warm blood runs into his sock. The wolf finds room for his head and paws. Pain blossoms through the boy’s form like petals on Mesquite, and he pants. He wants to lie down, to sleep, but the wolf won’t let him. Carnivorous teeth gnaw and chatter, clinging to his entrails. As the teeth find grip on his pelvis, the boy contracts. He tries to call his love, but there is no answer. He tries again to no avail. He wants to fight the wolf – he needs to fight the wolf – but the pain is too great, and as he falls forward onto hands and knees, the wolf becomes him.

12

The girl lies prone on her bedroom floor, arms flailed to either side. She wants to stand, to do, to make, but she can’t. She would need assistance for that, and assistance requires another. Fingers invoke a last bit of strength to travel along her back. The hole is not big, but the smell of necrotic flesh billows from the wound, filling her nostrils. Tears and sweat mingle down the bridge of her nose as her hand presses into the slit. She knows, so she doesn’t retreat when two-dozen pins skitter across her palm. She knows, so she doesn’t question the emptiness within her core or the cushy something gathering beneath her nails. She knows, so when she withdraws her hand, wrapped in woven webbing made opaque by abundance, she doesn’t shriek as brown recluse spiders scatter and disappear into the carpet.

13

The boy and wolf shudder and moan in climax. The wolf retreats and finds its way back to wilderness while the moon is still high. It licks the blood from its paws, nose, and gums. Content, the wolf disappears into the vast night and waits.

The boy reclaims his clothing and thinks of the girl, of what he’s done. He shambles out of the hotel to his truck, mindful of the chasms in his back and wallet, wondering when either will heal. The pale youth of his face sags with thought, and he joins the wolf in the desert’s cool dark.


Sight_2015_02_27_205800_847Zane Johnson is one of the few black fifth-generation Arizonans. She is a student in Creative Writing of Nonfiction at the University of Arizona. She reads a lot of comedy and watches a lot of horror movies, and has been told on many occasions not to use the word “interesting” in lieu of “horrifying and terrible.” This is one of her first publications.